New York Times Book Review's "100 Notable Books of 2016"
The author of the critically admired, award-winning A Replacement Life turns to a different kind of story—an evocative, nuanced portrait of marriage and family, a woman reckoning with what she’s given up to make both work, and the universal question of how we reconcile who we are and whom the world wants us to be.
Maya Shulman and Alex Rubin met in 1992, when she was a Ukrainian exchange student with “a devil in [her] head” about becoming a chef instead of a medical worker, and he the coddled son of Russian immigrants wanting to toe the water of a less predictable life.
Twenty years later, Maya Rubin is a medical worker in suburban New Jersey, and Alex his father’s second in the family business. The great dislocation of their lives is their eight-year-old son Max—adopted from two teenagers in Montana despite Alex’s view that “adopted children are second-class.”
At once a salvation and a mystery to his parents—with whom Max’s biological mother left the child with the cryptic exhortation “don’t let my baby do rodeo”—Max suddenly turns feral, consorting with wild animals, eating grass, and running away to sit face down in a river.
Searching for answers, Maya convinces Alex to embark on a cross-country trip to Montana to track down Max’s birth parents—the first drive west of New Jersey of their American lives. But it’s Maya who’s illuminated by the journey, her own erstwhile wildness summoned for a reckoning by the unsparing landscape, with seismic consequences for herself and her family.
Don’t Let My Baby Do Rodeo is a novel about the mystery of inheritance and what exactly it means to belong.
About the Author
Boris Fishman was born in Minsk, Belarus, and immigrated to the United States in 1988 at the age of nine. His journalism, essays, and criticism have appeared in The New Yorker, The New York Times Magazine, The Wall Street Journal, and many other publications. His first novel, A Replacement Life won the VCU Cabell First Novelist Award and the American Library Association’s Sophie Brody Medal, was one of The New York Times' 100 Notable Books, and was a Barnes & Noble Discover Great New Writers Pick. He lives in New York.
“With Fishman, we are in the hands of a genuine miniaturist, a cultivator of particulars, a writer who knows that familial conflict is the realm of intense feeling packaged in tiny gestures.”
— O, the Oprah Magazine
“Fishman’s novel veers from gently, quasi-comical to broad-stroke satirical to earnestly heartfelt. Along the way, there are plenty of sharp observations about American culture, parenting, and the adoption process…The plains may be flat and barren, but Fishman’s narrative swerves repeatedly in refreshingly unexpected directions…It stretches beyond themes of adaptation to champion the importance of getting in touch with the great wilderness—both in nature and oneself.”
— Heller McAlpin, NPR
“[Fishman’s] second novel is a fresh, unpredictable departure from his first. Max may or may not do rodeo, but from now on expect Boris Fishman to do anything.”
— San Francisco Chronicle
“An eloquent and uncynical tale of how far people must travel to find out what they truly want and who they truly are.”
— Chicago Tribune
“With graceful control and assurance, Fishman turns Don’t Let My Baby Do Rodeo into a layered story of identity and the challenges of weaving our many differences into compassionate bonds…a nuanced, compassionate novel…”
— Shelf Awareness
“…Fishman describes the turmoil of family, parenthood and cultural emotion with urgent, sly detachment. His language has the originality and imagination of someone who comes to English with unexpected thoughts and rhythms in his head, and is, simply, a joy to read.”
— Cathleen Schine, New York Times Book Review
“Readers will be glad that they made the journey with Maya Rubin as she searches the American West in an attempt to find herself. DON’T LET MY BABY DO RODEO is a wonderful and quiet look at the eternal question of what it means to belong.”
— Christian Science Monitor
“Fishman is a writer who uses his words with deftness and precision…. Boris Fishman—even if he can’t quite break free of the meta-fictional Mishkin looking over his shoulder—tries courageously to tell a story that is different. The fact that he largely succeeds, and that he worries, in the text, about the ways in which he doesn’t, are promising developments for Fishman as a novelist, and for Russian-American fiction as a whole.”
— Los Angeles Review of Books
“Touching…a sensitive and surprisingly adventurous exploration of one woman’s wonder and suffering.”
— Publishers Weekly
“Fishman smartly observes that the assimilation novel and road-trip novel make good partners. Both, after all, are about finding freedom. A comic novel about parenting infused with emotional intelligence.”
“Readers will be left thinking about belonging and family, and how varied the experience is for those born elsewhere.”
“I recommend this novel to anyone who is looking for something out of their comfort zone. I don’t give out 5-star ratings often, but I couldn’t turn the pages fast enough with this one. Pick this book up ASAP. You won’t regret it.”
— Paperback Paris